“A Valentine – Ever So Sweet and Pretty”

In honor of today’s holiday, this blog post highlights a Valentine received by sixteen-year-old San Antonian Willie Maverick in 1864. The two-page Valentine was coyly signed by his “Friend and Mattie”; at this time, nothing more is known about her.

The first page of Mattie's Valentine to Willie Maverick, which contains a poem by Thomas Moore.

The first page of Mattie's Valentine to Willie Maverick, which contains a poem by Thomas Moore.

On the second page, Mattie teases her Valentine by writing "Goodbye, you may guess my name if you wish."

On the second page, Mattie teases her Valentine by writing "Goodbye, you may guess my name if you wish."

William H. Maverick (1847-1923) was the fourth son of Samuel Augustus Maverick, a signer of the Texas Declaration of Independence. He was a student at the Bastrop Military Institute from fall 1863 until the end of the Civil War, and numerous letters between Willie and his parents and siblings in the DRT Library’s collection of Maverick Family Papers document his experiences there. During the war, Willie also served in the local Home Guards and spent brief periods of time with his brothers’ Confederate military units.

The front page of Mattie’s Valentine contains a two-verse poem by the Irish poet Thomas Moore (1779-1852).

Our first young love resembles

That short but brilliant ray,

Which smiles, and weeps, and trembles

Through April’s earliest day

No, no – all life before us,

Howe’er its lights may play

Can shed no lustre o’er us

Like that first April ray.

Our summer sun may squander

A blaze serener, grander

Our autumn beam may, like a dream

Of heaven, die calm away:

But no – let life before us

Bring all the light it may,

’Twill shed no lustre o’er us

Like that first trembling ray.

Inside, Mattie copied a slightly altered version of the first verse of “Lines to a Sister Dead.” The poem was written by Englishman John Kenyon (1784-1856), a distant cousin of Elizabeth Barrett and close friend of Robert Browning who was responsible for the two poets meeting.

I think of thee Willie

In my sad and lonely hours.

And the thought of thee comes o’er me

Like the breath of morning flowers.

Like music that enchants the ear,

Like sights that bless the eye,

Like the verdure of the meadow,

The azure of the sky;

Like rainbow in the evening,

Like blossom on the tree

Is the thought of thee Willie

Is the tender thought of thee.

The first page of Mary Ann Maverick's letter to her son, February 11, 1864.

The first page of Mary Ann Maverick's letter to her son, February 11, 1864.

Willie Maverick received Mattie’s Valentine enclosed in a two-page letter from his mother, Mary Ann Adams Maverick. “Last mail we recd [received] a letter directed to you,” she wrote to her son from San Antonio on February 11, 1864, presumably from the Maverick family home at the northwest corner of Alamo Plaza. “I opened it & found it a Valentine – ever so sweet and pretty – so of course I send it on to you, & suppose you will know which one of your sweethearts wrote it.” The library’s collection does not include Willie’s letter in response, so it is unknown how the teenaged boy felt about his mother opening, reading, and commenting on his romantic correspondence.

For Further Reading

Turn Your Eyes Toward Texas: Pioneers Sam and Mary Maverick by Paula Mitchell Marks

When Will the Weary War be Over?: The Civil War Letters of the Maverick Family of San Antonio edited with an introduction and epilogue by Paula Mitchell Marks

Click here for a full citation of the documents and images included in this entry.

Just in Time for Valentine’s Day, One Man’s Miserable Tale of Love

A perusal of the Library’s sheet music collection yesterday revealed a song we found highly entertaining; coincidentally, as it’s about romance (albeit its more unpleasant side), we thought it would be perfect for a Valentine’s Day blog post.

The sheet music cover for "Don't Shoot (I'll Marry the Girl)"

The sheet music cover for "Don't Shoot (I'll Marry the Girl)."

“Don’t Shoot (I’ll Marry the Girl),” 1924

It was time to say good-night,
John held Susie held her tight,
All at once there came a light
Johnny’s heart went cold,
Then Susie’s Pa came on the run
In his hand a big shot gun
There they stood side by side
Johnny loudly cried.

CHORUS:
Don’t shoot! don’t shoot! I’ll marry the girl
Don’t shoot! don’t shoot! My head’s in a whirl

I’ll do anything you say
Let you set our wedding day
Don’t shoot! don’t shoot! I’ll marry the girl.

Now the worst is yet to come,
When they will be made as one,
Johnny says it can’t be done
I leave town today,
But Susie’s Pa was on his trail
Had poor Johnny put in jail
There he waits to be wed
Wond’ring why he said.

CHORUS:
Don’t shoot! don’t shoot! I’ll marry the girl
Don’t shoot! don’t shoot! My head’s in a whirl

Mister can’t you understand
All I did was hold her hand
Don’t shoot! don’t shoot! I’ll marry the girl.

It was just last night at nine,
That the wedding bells did chime,
Ev’ry one said ain’t that fine
Such a happy pair,
But when the preacher said do you
Promise always to be true
John said yes with a sigh
Then began to cry.

CHORUS:
Don’t shoot! don’t shoot! I’ll marry the girl
Don’t shoot! don’t shoot! My head’s in a whirl

I love her and she loves me
Soon we’ll have a family
Don’t shoot! don’t shoot! I’ll marry the girl.

Cursory research indicates that Maurice Dwight Bourn, who wrote the music and lyrics for “Don’t Shoot (I’ll Marry the Girl),” was born in Missouri on December 19, 1899. His father William M. Bourn, a dentist, moved the family to San Antonio sometime between 1910 and 1920. Dwight Bourn may have been a World War I veteran and, in the early 1920s, attended the University of Texas. San Antonio city directories from around 1930 list Bourn as a musician; additional evidence suggests that he participated in a jazz recording session as a pianist in 1925 and co-wrote the song “Make ‘Em Say Uncle, Uncle Sam!” in 1942. As a captain stationed at Kelly Air Force Base, Bourn married Sally Florence Saye Frampton (1899-1972) in 1946; she was a long-time manager at the Menger Hotel. Dwight Bourn was eventually promoted to Major in the Air Force and served in Roswell, New Mexico, and Africa. He died in Bexar County on August 23, 1963.

Earl C. Diggans (1880-1938), who published the sheet music for “Don’t Shoot (I’ll Marry the Girl),” was a San Antonio music merchant. An article in the Presto-Times, the American Music Trade Weekly, from March 1932 included an article about Diggans’ store, which he operated with his son, George C. The article described the two men as “thoroughly experienced piano men…with a record of having sold collectively upwards of ten thousand pianos in the state of Texas during the past twenty years.”

Happy Valentine’s Day!

Click here for a full citation of the documents and images included in this entry.

Published in: on February 11, 2011 at 6:16 pm  Leave a Comment  
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Personal Ads, 1800s style

In honor of Valentine’s Day, we are sharing an amusing broadside from the library’s Ephemera Collection.

If the undated document was, as a previous archivist at the DRT Library estimated, printed in the 1870s, preliminary research indicates several broad historical contexts in which the document was written. First, sources demonstrate that men have made public appeals for wives for at least the last three centuries. Specifically, personal ads began appearing as soon as newspapers became common around 1700 and became regular features in the mid-nineteenth century. (Research conducted for this article has not determined the extent to which potential suitors printed independent broadsides like the one above.) Second, courtship rituals and behavior changed during the middle of the nineteenth century for a variety of reasons, including the Civil War. The war and its aftermath affected romantic relationships between men and women in myriad ways.

Determining the particular circumstances surrounding the broadside remain unknown and more substantial research is needed. For example, were the advertisement’s authors entirely serious or were they writing at least partly in jest? How and to what extent did the general contexts described above manifest themselves in Calhoun and Jackson Counties? What other circumstances unique to the area may have affected courtship rituals at the time? Were personal ads printed as broadsides commonplace in southeast Texas following the Civil War or was the broadside above a unique occurrence?

Despite lacking answers to these questions, an examination of the 1880 census for Jackson County reveals some biographical information about men who appear to be many of the broadside’s authors. This data also seems to confirm that the advertisement was printed prior to around 1874.

  • Texas native and farmer Leander E. Ward, thirty-one years old, had married a woman named Minnie. In 1880 they had a five-year-old daughter and a three-year-old son. Also living with the family was a boarder, two black servants, and Minnie Ward’s mother and sister.
  • Kentucky native Abram (possibly Abraham) Owen, age thirty-three, was working as a physician and living with his wife Augusta, their six-year-old son and eight-month-old daughter, and two black servants.
  • Frances M. White Jr., age thirty, was a farmer and a native of Texas. He and his wife, whose name was possibly Tabitha or Lalitha, had four children under five years old. A boarder also resided with the family.
  • Thirty-four-year-old George S. Gayle was residing in Jackson County with his wife, thirty-three-year-old Regina S. Gayle, and his three children (ages three, two, and one). A boarder, a hired hand, and a black servant also lived with the family. A native of Texas, Gayle was a farmer and possibly a Confederate veteran.
  • Thirty-four-year-old Lucky F. Wells, his wife Frances, and their four small children (all under the age of five) were living in the home of Wells’s father-in-law, Thomas S. Sutherland. The household also included six of Frances’s siblings, one employee, and three black servants. Wells was a farmer and a Texas native.

It appears the above broadside had the desired effect for almost all of its authors!

Click here for a full citation of the documents and images included in this entry.

Published in: on February 16, 2010 at 11:05 am  Comments (1)  
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Happy Valentine’s Day!

As Valentine’s Day approaches, we thought we would share Valentine’s Day cards located in the library’s Ephemera Collection (DRT 2). These Valentines are from Ruth Seele Aniol, the wife of Claude B. Aniol. Mrs. Aniol, a San Antonio native, was a collaborator for her husband’s advertising agency’s publications. She passed away in 1988 in Dallas.   Claude and Ruth Aniol donated  a large amount of material to the DRT Library, including subject files, photographs, books, periodicals, newspapers, clippings, artifacts, and other printed items.

This postcard was made in Germany and is postmarked February 12, 1913.

This postcard was made in Germany and is postmarked February 12, 1913.

This postcard is postmarked February 13, 1918.

This postcard is postmarked February 13, 1918.

This postcard was made in Germany.

This postcard, which was not mailed, was also made in Germany.

This postcard was likely made between 1913 and 1918.

This postcard was likely made between 1913 and 1918.

"Pure affection's sweetest token, Choicest hint of love unspoken, To my Valentine."

This card features the following poem behind the angel's head: "Pure affection's sweetest token, Choicest hint of love unspoken, To my Valentine."

Front and back of card.

Front and back of card.

The front and inside of a card.  This card is made by "Whitney Made, Worcester, Mass."

The front and inside of a card. This card is made by "Whitney Made, Worcester, Mass."

Front and inside of card.  This card is also by "Whitney Made, Worcester, Mass."

Front and inside of card. This card is also by "Whitney Made, Worcester, Mass."


Published in: on February 13, 2009 at 4:51 pm  Comments (1)  
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