Battle of Flowers Parade, 1952

Float of Her Imperial Majesty Kitty West of the House of Nelson, Queen of the Court of Make-Believe, near the reviewing stand in Alamo Plaza.

Float of Her Imperial Majesty Kitty West of the House of Nelson, Queen of the Court of Make-Believe, in front of the reviewing stand in Alamo Plaza.

In honor of today’s Battle of Flowers Parade, we’re looking back at the parade that took place sixty years ago. The United States was in the middle of the Korean War in 1952, a year that also saw the

  • premier of the Today show on NBC (January 14),
  • proclamation of the accession of Queen Elizabeth II (February 7),
  • first flight of the B-52 Stratofortress (April 15),
  • Treaty of San Francisco go into effect, officially ending World War II (April 28),
  • first publication of Anne Frank: The Diary of a Young Girl (June 15),
  • establishment of Puerto Rico as a self-governing American commonwealth (July 25),
  • performance of the first open-heart surgery (September 2),
  • debut of television in Canada (September 6),
  • successful detonation of the first hydrogen bomb by the U.S. (November 1), and
  • first election in which a computer was used to predict results, Dwight D. Eisenhower over Adlai Stevenson in the presidential race (November 4).

The photographs of the parade shown here are from the DRT Library’s archival collection of Battle of Flowers Association records. Many show floats in front of the Majestic Theatre as they made their way down Houston Street.

Enjoy, and Viva Fiesta!

Kelly Air Force Base float.

Kelly Air Force Base float.

Brooks Air Force Base float.

Brooks Air Force Base float.

Randolph Air Force Base float.

Randolph Air Force Base float.

1st Armored Division Band from Fort Hood, Texas.

1st Armored Division Band from Fort Hood, Texas.

MFSS Battalion in front of the reviewing stand, Alamo Plaza.

MFSS Battalion in front of the reviewing stand, Alamo Plaza.

From left to right, Texas Governor Allan Shivers, Battle of Flowers Association President Henrietta (Mrs. Chester) Kilpatrick, Gen. William M. Hoge, and an unidentified man in the reviewing stands.

From left to right, Texas Governor Allan Shivers, Battle of Flowers Association President Henrietta (Mrs. Chester) Kilpatrick, Gen. William M. Hoge, and an unidentified man in the reviewing stands.

Click here for a full citation of the documents and images included in this entry.

“A Splendid Piece of Photography”: The Siege and Fall of the Alamo (1914)

A stock certificate for the Siege and Fall of the Alamo Motion Picture Co., November 17, 1913.

A stock certificate for the Siege and Fall of the Alamo Motion Picture Co., November 17, 1913.

A single document (shown above) and a handful of photographs at the DRT Library are thought to provide a crucial record of a lost silent film about the 1836 Battle of the Alamo. No copy of the The Siege and Fall of the Alamo (1914) is known to exist, and earlier generations of historians believed that the film was never made. While this assertion has proven to be false, information is sparse and many questions remain unanswered.

This picture from the DRT Library's collection shows the palisade that scholars believe was reconstructed in front of the Alamo church during filming of The Siege and Fall of the Alamo.

This picture from the DRT Library's collection shows the palisade that scholars believe was reconstructed in front of the Alamo church during filming of The Siege and Fall of the Alamo. (SC98.103)

A synopsis of The Siege and Fall of the Alamo, written for copyright registration, survives at the Library of Congress and is reproduced in its entirety in Frank Thompson’s book Alamo Movies. Unfortunately, Thompson writes, the summary “tells us little about what the film might have been like.” In addition, a review and advertisement in the San Antonio Light (not in the Library’s collection) describe the film’s showing at the Royal Theater on June 1-2, 1914. According to the ad, The Siege and Fall of the Alamo was made in San Antonio with a cast of 2,000 actors “at a cost of more than $35,000.00.” At “five great reels” in length, it was the first feature-length film about the Alamo. Praising the film, the Light called it “a splendid piece of photography, clear in every detail, and the acting is perfect. The play seems to please the patrons and is pronounced by historians as a great production.”

The reconstructed palisade. The Siege and Fall of the Alamo may be the only movie about the 1836 battle filmed at the actual Alamo.

The reconstructed palisade. The Siege and Fall of the Alamo may be the only movie about the 1836 battle filmed at the actual Alamo. (SC98.101)

The production stills below were previously thought to be from The Immortal Alamo (1911). However, the actor shown to be portraying David Crockett (below) is not Francis Ford, who played the famous Tennessean in The Immortal Alamo. The wooden palisade shown in the photographs above appears to be same one behind “Crockett” in the picture below. Other clues in the palisade photos and production stills support the conclusion that these materials show The Siege and Fall of the Alamo, although a lack of definitive corroborating evidence means that this identification remains less than certain.

An unidentified actor portraying David Crockett in front of the reconstructed Alamo palisade.

An unidentified actor portraying David Crockett in front of the reconstructed Alamo palisade. (SC96.601)

Davy Crockett struggling with a Mexican soldier.

Davy Crockett struggling with a Mexican soldier. (SC96.602)

A woman attempts to defend Jim Bowie while Susanna Dickinson protects her daughter.

A woman attempts to defend Jim Bowie while Susanna Dickinson protects her daughter. (SC96.600)

Texians firing and reloading rifles.

Texians firing and reloading rifles. (SC96.603)

References and Further Reading

Books by writer and film historian Frank Thompson include Alamo Movies (1991) and The Alamo: A Cultural History (2001), both available at the DRT Library. Another work by Thompson, Texas Hollywood: Filmmaking in San Antonio Since 1910 (2002), does not discuss The Siege and Fall of the Alamo specifically but provides interesting contextual information. Additionally, the DRT Library has a vertical file on various movies that have been made about the Alamo, and Richard R. Flores’ book Remembering the Alamo: Memory, Modernity, and the Master Symbol (2002) also contains a chapter on the topic.

Click here for a full citation of the documents and images included in this entry.

“It is a Wonder to Myself That I Can Write at All”: The Galveston Hurricane of 1900

Yesterday’s blog post highlighted a letter from the Library’s Fisher Family Papers in which Eliza Ophelia Smith Fisher described her harrowing experiences during the Indianola Hurricane of 1875. Today’s entry focuses on a second letter from the Fisher collection written by a survivor of the Galveston Hurricane of September 8-9, 1900.

A stereograph showing damage at Avenue O and 19th Street in the aftermath of the Galveston Hurricane of 1900. (SC10034)

A stereograph showing damage at Avenue O and 19th Street in the aftermath of the Galveston Hurricane of 1900. (SC10034)

A stereograph showing "a schoolhouse that was carried 600 feet while all beyond was swept away" during the Galveston Hurricane of 1900. (SC10033)

A stereograph showing "a schoolhouse that was carried 600 feet while all beyond was swept away" during the Galveston Hurricane of 1900. (SC10033)

According to the Encyclopedia of Hurricanes, Typhoons, and Cyclones, this storm was “an exceedingly violent Category 4 tropical cyclone.” With 140-mph winds, 9-inch rains, and a 16-foot storm surge, the hurricane “annihilated large portions of coastal and inland Texas.” It “not only remains one of the most intense storms to have ever afflicted the mainland United States but also the nation’s deadliest” (218).

Annie Fisher Dallam Harris (1823-1906) wrote to her niece Nannette “Nettie” Pleasants Fisher Armstrong (1857-1939) in San Antonio two days after the storm. She reported that among the 6,000 to 12,000 people who perished in the hurricane were three of her daughters; her son-in-law, and Nettie Armstrong’s brother, Walter Pemberton Fisher (1856-1900); and six grandchildren.

The first page of Annie Harris's letter to her niece.

The first page of Annie Harris's letter to her niece.

The second page of the letter.

The second page of the letter.

Monday, Sept 11th

Dear Nettie –

Knowing that you will feel anxious to hear about us after this late awful calamity, I will write you this morning just the bare heart rending facts. I cannot give you the harrowing details, and it is a wonder to myself that I can write at all, for the hand of the Lord has smitten me [illegible], has taken at one flow three of my lovely daughters and six of my darling grandchildren. Also, your own brother, poor dear Walter. I cannot think why I whose life is nearly spent was saved, and all those valuable lives taken! But so it is. Of my own family [son] John & [daughter] Cora are all that are left, and of the children [granddaughter] Nanna & [grandson] baby Kenner. Our house and the Mastersons are both entirely destroyed. For the present, the [grandchildren] young Mastersons, myself & little Kenner are sheltered at [nephew and his wife Fred’s, and Addie requested me to write you this to let you know. But I cannot as yet write you the dreadful details. 

Auntie

Based on some preliminary research, we’ve been able to at least tentatively identify everyone mentioned in Harris’s letter and compile the following genealogy (some people not mentioned in the letter have not been included):

Samuel Rhoads Fisher (1794-1839) m. Ann Pleasants (1796-1862)

  • Samuel William Fisher (1819-1874)
  • Annie Pleasants Fisher (1823-1906)

Samuel William Fisher (1819-1874) m. Eliza Ophelia Smith Fisher (1823-1877)

  • Frederick Kenner Fisher (1852-1920) m. Lucy Adelaide Selkirk (1859-1939)
  • Walter Pemberton Fisher (1856-1900) m. Elizabeth Lillian/Lillie Byrd Harris (1858-1900)
  • Nannette or Annette “Nettie” Pleasants Fisher (1857-1939) m. John W. Armstrong (1843-1911)

Annie Pleasants Fisher (1823-1906) m. James Wilmer Dallam (1818-1847)

  • Annie Wilmer Dallam (1847-1900) m. Branch Tanner Masterson (1847-1920): their five children, who ranged in age from sixteen to twenty-five, survived.

Annie Pleasants Fisher Dallam (1823-1906) m. John Woods Harris (1810-1887)

  • Rebecca Perry Harris (1853-1900): single at the time of her death with no children.
  • John Woods Harris (1855-1918) m. Minnie Knox Hutchings (1866-1922): their two children, ages five and thirteen, also survived.
  • Elizabeth Lillian/Lillie Byrd Harris (1858-1900) m. Walter Pemberton Fisher (1856-1900): three of their children, ages seven to ten, died in the hurricane. Their youngest son Frederick Kenner Fisher (1898-1910) survived.
  • Cora Lewis Harris (1868-1950) m. Wharton Davenport (1867-before 1930): oldest daughter Anna “Nanna” Davenport Newton (1889-1967) survived, but the couple’s other three children perished. They had a son in 1902.

For Further Reading

Additional Fisher family genealogical information can be found at the Star of the Republic Museum’s Samuel Rhoads Fisher page, compiled as part of its Texas Declaration of Independence signers project.

The Complete Story of the Galveston Horror edited by John Coulter, Galveston: The Horrors of a Stricken City by Murat Halstead, Galveston in Nineteen Hundred edited by Clarence Ousley, and The Great Galveston Disaster by Paul Lester were published in the immediate aftermath of the 1900 storm.

Helping to mark the centennial of the hurricane, Galveston and the 1900 Storm: Catastrophe and Catalyst by Patricia Bellis Bixel and Elizabeth Hayes Turner contains many historical photographs and examines the reinvention of the city in the storm’s aftermath. Through a Night of Horrors: Voices from the 1900 Galveston Storm, edited by Casey Edward Greene and Shelly Henley Kelly, contains letters, memoirs, and oral histories that document survivors’ experiences.

Click here for a full citation of the documents and images included in this entry.

“The Eyes of Texas are Upon You”

Despite staff members’ personal allegiances, the DRT Library remains neutral in the rivalry between the University of Texas and Texas A&M. (Both institutions have wonderful library and archival collections.) However, this blog entry highlights some original materials at the Library that relate to a significant piece of UT’s history.

Last month marked the anniversary of the premiere of “The Eyes of Texas,” the official song of the University of Texas. Written by student John Lang Sinclair and set to the tune of “I’ve Been Working on the Railroad,” the song was first sung by the Glee Club quartet at a minstrel show held on May 12, 1903, to benefit the University’s track team. (Sinclair accompanied the group on banjo.)

John Lang Sinclair on the steps of UT's old Main Building, 1903.

John Lang Sinclair on the steps of UT's old Main Building, 1903.

Sinclair was inspired by UT President William L. Prather, who ended his speeches to the student body with the statement, “The eyes of Texas are upon you,” sometimes adding, “You cannot get away.” The phrase became a running campus joke. Prather borrowed the phrase from his own college president, Gen. Robert E. Lee, who often told students at Washington College (now Washington and Lee University), “Remember, gentlemen, the eyes of the South are upon you.” Prather was a pallbearer at Lee’s funeral in 1870.

Sinclair around the time he was a student at the University of Texas.

Sinclair around the time he was a student at the University of Texas.

John Lang Sinclair was born near Center Point, Texas, on November 26, 1879. Shortly thereafter, his family moved to a dairy farm in eastern Bexar County. While a student at the University of Texas, Sinclair was a member of the band and the Glee Club; served as editor of the campus literary magazine and the literary section of the yearbook; and played football. After graduating from UT in 1904, Sinclair tried farming near Artesia Wells in La Salle County. He returned to his family’s dairy farm following his father’s death in 1908. Around 1923, Sinclair moved to New York City, where he became a partner in a tax and investment advisory service and, in 1945, married Stella C. Anderson (1888-1959) of San Antonio. Sinclair died in New York on January 4, 1947, and is buried with his wife in the Masonic Cemetery in San Antonio.

John Lang Sinclair working on his car. According to friend Wallace Pirie, John enjoyed auto racing and took his friends riding. "Jack used to get (the Thomas Flyer car, owned by the Sinclairs around 1910) up to 60 miles an hour," Pirie told the Express-News in 1977.

John Lang Sinclair working on his car. According to friend Wallace Pirie, John enjoyed auto racing and took his friends riding. "Jack used to get (the Thomas Flyer car, owned by the Sinclairs around 1910) up to 60 miles an hour," Pirie told the Express-News in 1977.

Original materials relating to John Lang Sinclair and “The Eyes of Texas” can be found within two collections at the DRT Library. First, the Alex and Agnes Sinclair family album contains 186 photographs, including the image above. Shown in the photos are John Lang Sinclair, other relatives, the family dairy farm in Bexar County, and the property near Artesia Wells. Alexander (1851-1908) and Agnes (born 1851) Sinclair, natives of Scotland who immigrated to the U.S. in 1878, were John Lang Sinclair’s parents.

In this incomplete letter to an unknown recipient, Sinclair described UT's 29-6 win over A&M. The football game took place in Austin on November 29, 1903.

In this incomplete letter to an unknown recipient, Sinclair described UT's 29-6 win over A&M. The football game took place in Austin on November 29, 1903.

At the end of the same letter, Sinclair described a Varsity Minstrel Show that took place.

At the end of the same letter, Sinclair described a Varsity Minstrel Show that took place.

Second, the Library’s collection of Pirie and Sinclair Families Papers contains letters, speeches, printed material, and photographs that document the close relationship between the Bexar County family and their neighbors, the Sinclairs. Letters include several from Agnes Sinclair and her sons John Lang and William concerning family and social matters. Later letters from several individuals include reminiscences of John Lang Sinclair written by his brother-in-law, James Anderson. A brief speech by friend W. D. Pirie at the 1981 dedication of a school named in Sinclair’s honor is included, along with notes on Sinclair’s life. Printed material includes items created by John L. Sinclair (below) and clippings on Sinclair, the Sinclair school, and the Pirie family. Photographs of John Lang and William Sinclair, ceremonies at John L. Sinclair’s grave, and the family farm site are included with the papers. Additional information about Sinclair and “The Eyes of Texas” can be found in the Library’s vertical files.

Remembered by friend W. D. Pirie as a "prolific writer," Sinclair wrote the above poem lampooning Oscar B. Colquitt (1861-1940), who made an unsuccessful run for governor in 1906 and was elected to the office in 1910 as an anti-prohibitionist.

Remembered by friend W. D. Pirie as a "prolific writer," Sinclair wrote the above poem lampooning Oscar B. Colquitt (1861-1940), who made an unsuccessful run for governor in 1906 and was elected to the office in 1910 as an anti-prohibitionist.

The cover of "The Milkman's Primer," a small, undated pamphlet authored by John Lang Sinclair.

The cover of "The Milkman's Primer," a small, undated pamphlet authored by John Lang Sinclair.

The second and third lessons in "The Milkman's Primer."

The second and third lessons in "The Milkman's Primer."

References and Further Reading

Additional information about the history and lyrics of the “The Eyes of Texas,” a clip of the song, can be found at the website of the University of Texas Longhorn Band. Articles about the song and the copyright dispute that later surrounded it have also been published in the May 1992 and March 2003 issues of The Alcalde, the bi­monthly magazine of the UT alumni association.

Click here for a full citation of the documents and images included in this entry.

A Look Back at the 1911 Battle of Flowers Parade

In honor of today’s Battle of Flowers Parade, this entry highlights some photographs of the 1911 parade. Contained within the Library’s collection of Beckmann family papers, the images show throngs of spectators in Alamo Plaza – some even perched on nearby rooftops, including that of the Alamo! – and the facade of the Alamo church decorated for the parade. Also shown is the float of twenty-one-year-old Helena Dorothea Guenther, the Queen of the Court of Carnival Flowers a century ago.

Helena Guenther on her float in Alamo Plaza during the 1911 Battle of Flowers Parade.

Helena Guenther on her float in Alamo Plaza during the 1911 Battle of Flowers Parade.

Helena Guenther in the 1911 Battle of Flowers Parade.

Helena Guenther in the 1911 Battle of Flowers Parade.

Spectators in an undated photograph, believed to show the 1911 Battle of Flowers Parade.

Spectators in an undated photograph, believed to show the 1911 Battle of Flowers Parade.

Born in San Antonio in 1889, Helena was the granddaughter of Carl Hilmar Guenther, builder the first flour mill in the city. She attended the German-English School and Miss Wasson’s School for Young Ladies. In 1909, she made her debut with her cousin Regina Augusta Beckmann at a party in the Guenther Home. Regina was the Princess of the Daffodils and Maid of Honor to her cousin the Queen in 1911; John O. Meusebach was Helena’s Prime Minister of the Realm, Robert Ayres and Franklin McIlhenny were pages to the Queen, and Atlee Ayres was court jester. In addition to being Queen in 1911, Helena was the Duchess of de Chataney in the Court of Roses (1910), Duchess of Sylvia in the Court of Lilies (1912), and Princess of the Lilies and Maid of Honor to the Queen in the Court of Spring (1913).

Helena Guenther, Queen of the Court of Carnival Flowers.

Helena Guenther, Queen of the Court of Carnival Flowers.

The Queen on her float in the 1911 parade.

The Queen on her float in the 1911 parade.

Helena Guenther married Arthur Hughes Muir (1884-1955) in 1917; the couple had one surviving son. Known as a gardener and gourmet cook, Helena was an active member in a number of San Antonio organizations, including St. Mark’s Episcopal Church and the Alamo Heights-Terrell Hills Garden Club, Junior League, Military-Civilian Club, Symphony Society, and San Antonio Conservation Society. She died in San Antonio in 1977.

References and Further Reading

The five-volume History of the Order of the Alamo, available at the DRT Library, contains information about each court between 1909 and 1989, including photographs of each queen, princess, and duchess and descriptions of each coronation ceremony during that period.

For more information about how the history of the Battle of Flowers Parade is documented in archival collections at the DRT Library, see earlier entries about the event on the “Inside the Gates” blog.

For additional information about Helena Guenther and her family, see The Family of Carl Hilmar Guenther and Dorothea Pape Guenther (2001), available at the DRT Library.

Click here for a full citation of the documents and images included in this entry.

San Antonio Flood of 1921

Floodwater in an unidentified street in downtown San Antonio.

Floodwater in an unidentified street in downtown San Antonio. (SC5205.1.10)

Two weeks ago – September 8 through 10 – was the anniversary of one of the worst disasters to occur in the city of San Antonio.

On one hand, the story of the 1921 flood is a relatively straightforward one of a large amount of rain causing area rivers and creeks to overflow their banks. In his work Riverwalk: The Epic Story of San Antonio’s River, author Lewis F. Fisher sets the stage for the flood and describes the day-by-day, hour-by-hour progression of the rising water:

Winds gusting up to ninety-five miles an hour lashed the eastern coast of Mexico as the second hurricane of the season hit south of Tampico on September 7, 1921. Inland, as the hurricane swerved sharply north, its intensity lowered to that of a tropical storm, then weakened again. In the night it swung northeastward into Texas near Laredo and headed directly for San Antonio, packing still high winds with violent, heavy thunderstorms (45)…

Advance showers on the night of Thursday, September 8, 1921, broke a dry spell of two months…Occasional hard showers followed early the next day.

The main body of the storm hit Friday afternoon. Severe thunderstorms broke out at 6 p.m…After three hours the thunderstorms ended and the rain’s intensity began to ebb. The river was four feet from the top of the plank retaining wall near Pecan Street, but residents went to bed thinking all was well…

Rain over Olmos Creek’s watershed, however, had been twice as heavy as that over San Antonio. At 9 p.m. Olmos Creek began to overflow its banks. As its waters surged into the San Antonio River, the river began rising one foot every five minutes in Brackenridge Park…

At 11:30 p.m., waters from the Olmos reached the Fourth Street/Lexington Avenue Bridge, at the northern edge of town, where the river was already two feet above its banks. An hour later, water there was up nearly three feet more.

At midnight Saturday, September 10, the river went over its banks onto St. Mary’s Street and within twelve minutes was more than six feet deep at the Travis Street intersection as six north-south streets turned into auxiliary river channels. At St. Mary’s and Houston streets, water reached nearly to the mezzanine at the Gunter Hotel (50).

By the time the river crested around 2:00 a.m. Saturday morning, roughly fourteen inches of rain had fallen on the Olmos Creek drainage area and San Antonio had received almost seven inches of rain over twenty-three hours of steady rainfall.

A damaged downtown bridge with debris.

A damaged downtown bridge with debris.(SC5205.1.2)

Floodwater in a residential area of San Antonio.

Floodwater in a residential area of San Antonio. (SC5205.1.14)

The damage to the central core of the city as a result of the flood was significant. A thousand acres of the city were flooded, and a three-quarter square mile area of downtown was under two to twelve feet of water. The city’s water, electricity, and telephone services were temporarily shut off. Streets, bridges, and buildings were torn apart, and damages were estimated at $3.7 million. Most tragic was the human toll: fifty-one people were confirmed dead and an additional twenty-three were listed as missing. Scholars believe that the actual number of deaths was higher than these official numbers.

Residents wade through the floodwater.

Residents wade through the floodwater. (SC5205.1.9)

This narrative of the flood and its immediate consequences is only part of the story, however. The storm itself continued northeast from San Antonio, causing damage in communities near Austin. Area residents – with significant help from federally-funded troops and equipment from Camp Travis – undertook the immense tasks of rescuing those stranded by the water, identifying and caring for the bodies of the dead, aiding the homeless and displaced, restoring city services, and clearing out debris left behind when the water receded. Taking a longer view, the story of the 1921 fits into the broader context of San Antonians’ evolving relationship with the river and the history of their efforts to utilize, bridge, control, and beautify it.

Two soldiers from Camp Travis.

Two soldiers from Camp Travis. (SC5205.1.8)

A damaged house that was pushed off its foundation and into an unidentified street.

A damaged house that was pushed off its foundation and into an unidentified street. (SC5205.1.23)

Finally, as indicated by historian Char Miller in the introduction of On the Border: An Environmental History of San Antonio, the story of the 1921 flood and its aftermath illustrates the connection between “physical space and social structure” (13). While the damage to San Antonio’s downtown was significant, the “small creeks threading through the Hispanic west side proved as fierce and more deadly: they blasted out of their banks, crashed through the shacks and shanties, killing scores” (12). Indeed, all but four of the fifty-one confirmed deaths occurred along the San Pedro and Alazan creek systems in the west side.

    The names included in this preliminary list indicate that the majority of San Antonians killed by the flood were Hispanic residents of the city's west side.

The names included in this preliminary list indicate that the majority of San Antonians killed by the flood were Hispanic residents of the city's west side.

As Miller asserts, “the city’s response to the great loss of life and staggering destruction was revealing.”

Determined to protect the downtown, the citizenry voted to build a dam across the Olmos Valley. Once completed, the Olmos Dam not only stopped future high waters from washing through the central district but facilitated the construction to its east and west a pair of suburban enclaves that sheltered the city’s elite. The skyline also exploded upwards, as investors poured capital into the development of tall buildings on the former floodplain; and an old idea – a River Walk – was revived, and ultimately realized, now that flood controls were in place. For these reasons the Olmos Dam is arguably the city’s most important public works project (12).

However, Miller writes in Deep in the Heart of San Antonio: Land and Life in South Texas that the dam was also a failure because “the decision to build it depended upon a disturbing and remarkably skewed distribution of public benefits in one of America’s poorest big cities” (64). Expanding upon this idea in On the Border, he writes that

social reformers may have clamored for flood-control projects on the West Side to elevate the waterlogged barrios and funding to build better housing for this most destitute of neighborhoods, but their appeals fell on deaf ears: on the same day that the city commissioners released $3 million for the dam’s construction, they committed a paltry $6,000 to the widening and clearing of the Alazan and San Pedro Creeks, whose rampaging waters had killed so many. This remarkable disparity in financial investment and flood-prevention technology would continue for the next fifty years; until the mid-1970s, when reenergized Hispanic voters gained political power, the management of San Antonio’s flood waters cut along sharply etched ethnic divisions and class lines (12-13).

Map from C. E. Ellsworth's study of the 1921 flood. The report was prepared by the U.S. Geological Survey, a unit of the Department of the Interior, in cooperation with the state of Texas.

A map from C. E. Ellsworth's study of the 1921 flood. The report was prepared by the U.S. Geological Survey, a unit of the Department of the Interior, in cooperation with the state of Texas.

Update, May 2011:

Thanks to the eagle eyes and detective skills of “Inside the Gates” reader Mathew Martin, we now have additional information about the first photograph included in this blog entry.

The image appears to have been taken on Houston Street between Navarro and St. Mary’s Streets, looking west. On the left are the Royal Theatre in the foreground and the Rand building (which housed the Wolff & Marx Co. in 1921) further back. On the right are the Gunter Hotel in the foreground and the Stowers Furniture Co. in the background.

Mat is the Archivist and Curator of Old and Rare Books at the Oblate School of Theology’s Southwestern Oblate Historical Archives. We certainly appreciate his help with the photograph!

References and Further Reading

C. E. Ellsworth, The Floods in Central Texas in September, 1921 (1923)

Lewis F. Fisher, Crown Jewel of Texas: The Story of San Antonio’s River (1997)

Lewis F. Fisher, Riverwalk: The Epic Story of San Antonio’s River (2007)

Char Miller, Deep in the Heart of San Antonio: Land and Life in South Texas (2004)

Char Miller, editor, On the Border: An Environmental History of San Antonio (2005)

Click here for a full citation of the documents and images included in this entry.

Fiesta, 1910: “It’s Enough to Make One Want to Live Here Always”

Mary Ware in Texas

We recently came across a charming item documenting the early history of the Battle of Flowers Parade and the Order of the Alamo court: Mary Ware in Texas, a children’s book published one hundred years ago, provides an example of how each has been portrayed in popular culture.

Mary Ware was a character in Annie Fellows Johnston’s immensely popular and semi-autobiographical Little Colonel children’s series. The books focused on the adventures of Lloyd Sherman, a young girl whose fierce mannerisms echoed the traits of her grandfather, a Confederate colonel in the Civil War, and earned her the moniker “the Little Colonel.” Johnston (1863-1931) based the title character on five-year-old Hattie Cochran, whom she met in Kentucky in the early 1890s. The Little Colonel series eventually comprised twelve volumes published between 1895 and 1912; Shirley Temple played in the title role in the 1935 film adaptation.

The frontispiece illustration in Mary Ware in Texas, showing the title character in a field of bluebonnets.

The frontispiece illustration in Mary Ware in Texas, showing the title character in a field of bluebonnets.

Johnston introduced the character Mary Ware in Mary Ware: The Little Colonel’s Chum (1908), written in response to a flood of fan inquiries. Johnston wrote both that book and Mary Ware in Texas (1910) towards the end of her eight years residing in Boerne; the latter was finished around the time her stepson, John, died of tuberculosis at age twenty-nine.

Chapter 14 in Mary Ware in Texas focuses on Mary and her friends sightseeing in San Antonio during “San Jacinto Day” (now Fiesta San Antonio). Preliminary research does not indicate how Johnston obtained information about the various events she described. In a letter written from her home in Boerne on April 19, 1908, Johnston stated, “The Carnival begins tomorrow in San Antonio with its Battle of Flowers and parades, and we are thankful we are up in the hills ‘far from the maddening crowd.’” While Johnston may have attended Fiesta events other years during her time in Texas, she may have also relied on secondhand sources (e.g. stories from friends or detailed accounts published in the newspaper).

Four duchesses in the 1910 Court of the Roses, from the History of the Order of the Alamo.

In the book, Mary and her friends first attend the coronation of the Court of the Roses. Johnston apparently created characters who were members of the 1909 and 1910 courts in the story but not in real life. However, a comparison of Johnston’s account with details provided in the Order of the Alamo’s official history (shown below) indicates that she did accurately depict the opulence of the coronation 1910 ceremony, which in reality was only the second one held by the Order. “Look at Mary’s rapt expression!” her friend observes during the ceremony. “She’s always adored queens and such things, and now she feels that she’s up against the real article.”

Two pages from the first volume of the History of the Order of the Alamo describe the 1910 Court of the Roses and its coronation.

Following the coronation, Mary and her friends visit the illuminated San Antonio River, described in the book this way:

[Billy Mayrell] led them to a place where they could look across a bend and see one of the bridges. It was strung so thickly with red lights which outlined every part, that it seemed to be made of glowing rubies, and its reflection in the water made another shining ruby bridge below, wavering on the dark current.

Mary leaned over the rail watching the shimming lights, and feeling dreamily that this City of the Alamo was an enchanted city; that the buildings looming up on every side were not for the purpose of barter and trade. They were thrown up simply as backgrounds for the dazzling illuminations which outlined them against the night sky. The horns of the revellers answering each other down every street, the music of distant bands, the laughter of the jostling throngs, all deepened the illusion…

[The city] was a realm given over utterly to “Mirth and Merriment,” where a gracious young queen held sway, where illness and trouble and grief had no part.

“I don’t wonder that the Major wants everybody not already a loyal Texan to see this,” [Mary] said to the Lieutenant. “It’s enough to make one want to live here always” (343-345).

Postcard showing the Alamo decorated for the Battle of Flowers Parade and Helena Guenther, Queen of the Court of Carnival Flowers, 1911.

A postcard showing the Alamo decorated for the Battle of Flowers Parade and Helena Guenther, Queen of the Court of Carnival Flowers, 1911.

Finally, the next day, Mary and her friends attend the Battle of Flowers Parade, which they watch from the backseat of an automobile:

Back and forth in front of the Alamo went the two divisions of the parade, meeting and passing and turning to meet and pass again, all the while pelting each other with flowers, till the plaza where they rode was covered deep with them. And the bands played and the people cheered, till the smallest schoolboy in their midst felt a thrill of gratitude to the heroes whose deeds they were commemorating. He might miss the deeper meaning of it all, but he grasped one fact clearly enough: that had it not been for the grim battle which those brave fellows fought to the death, there would have been no San Jacinto Day for him. No pageant-filled holiday to make one feel that it is a great and glorious thing to be a son of the Lone Star State (346).

References and Further Reading

The Little Colonel website, http://www.littlecolonel.com, is authored by Donna Russell and provides a wealth of information about the series, including a biography of author Annie Fellows Johnston, descriptions of real people and places that inspired characters and locations in the stories, and full texts of each work.

Photographs of Annie Fellows Johnston and Hattie Cochran are available through the digitized Kate Matthews Collection, available through the University of Louisville Libraries.

The five-volume History of the Order of the Alamo, available at the DRT Library, contains information about each court between 1909 and 1989, including photographs of each queen, princess, and duchess during that period.

For more information about how the history of the Battle of Flowers Parade is documented in archival collections at the DRT Library, see last year’s entries about the event on the “Inside the Gates” blog. One post focused on the parade’s beginnings and earliest years; another highlighted photographs of participants and floats in the late 1800s and early 1900s, around the time Mary Ware in Texas takes place; and a third featured footage of the 1971 and 1976 parades.

Click here for a full citation of the documents and images included in this entry.

The Daughters of the Republic of Texas: 105 Years of Alamo Custodianship

Last week marked the 105th anniversary of the legislation that granted the Daughters of the Republic of Texas custodianship of the Alamo. The act, entitled “Providing for the Purchase, Care, and Preservation of the Alamo,” passed the Texas House of Representatives on January 23 and the state Senate on January 24th before being signed by Governor Lanham on January 26th, 1905.

Clara Driscoll

Clara Driscoll, who, with Adina De Zavala, led the DRT's efforts to acquire the Alamo. (SC96.002)

The legislation appropriated $65,000 to Clara Driscoll, who had advanced that amount in personal funds to cover a DRT fund-raising shortfall and to purchase the Alamo convento (today the Long Barracks museum) in her own name. The act also placed title to the convento in the name of the State of Texas; turned custody of the property to the Daughters of the Republic of Texas; and transferred custody of the Alamo church, which the state had purchased in 1883, from the City of San Antonio to the DRT.

The legislation stated, in part:

Section 3: Upon the receipt of the title to said land [the convento], the Governor shall deliver the property thus acquired, together with the Alamo Church property already owned by the State, to the custody and care of the Daughters of the Republic of Texas, to be maintained by them in good order and repair without charge to the State, as a sacred memorial to the heroes who immolated themselves upon that hallowed ground.

Several months after the Act was approved – on September 5, 1905 – Clara Driscoll transferred the title to the convento building to Texas; one month later, Governor Lanham conveyed it and the Alamo church to the DRT.

Alamo Plaza looking south, circa 1907.

Alamo Plaza looking south, circa 1907. The Alamo church, on the east side of the plaza, is beyond the photograph on the left. It is obscured by the old mission convento, which merchants Charles Hugo and Gustav Schmeltzer purchased in 1880 and operated as a wholesale warehouse and grocery. (SC8317.4)

 

The 1905 legislation followed decades of efforts to preserve the Alamo and a five-year campaign on the part of the Daughters of the Republic of Texas, led by Adina De Zavala and Clara Driscoll, to raise money for the preservation of the Alamo. Development of downtown San Antonio began in earnest following the Civil War. Photographs (like the one above) and maps (like this 1904 Sanborn map of Alamo Plaza, available as a PDF document) show the Alamo surrounded by commercial structures by the late 1800s and early 1900s. Additionally, the Alamo church was in deplorable condition following years of being repurposed, neglected, and damaged. San Antonians feared that the site would eventually be demolished altogether.

The Alamo church and the Hugo & Schmeltzer building in an undated photograph, circa 1877-1912.

The Alamo church and the Hugo & Schmeltzer building (the old mission convento) in an undated photograph, circa 1877-1912. (SC95.044)

A photograph from the late 1800s showing a saloon operating immediately to the south of the Alamo church. (SC13523)

A photograph from the late 1800s showing a saloon immediately to the south of the Alamo church. (SC13523)

 

At the fourteenth annual meeting of the Daughters of the Republic of Texas – held in La Grange, Texas, in April 1905 – Second Vice-President Cornelia Branch Stone of Galveston described the Daughters’ efforts in the weeks prior to the passage of the “Alamo Purchase Bill.” Speaking on behalf of the absent Clara Driscoll, Stone reported that

the committee were [sic] well received by the Senate and House of Representatives, where they found many warm supporters of the measure. Miss Driscoll and Mrs. Stone addressed the Committee on State Affairs in both houses, and Miss De Zavala spoke to the House Committee on State Affairs, as the Alamo Purchase Bill has been referred to this committee. Every courtesy was shown by the two committees, and unanimous endorsement was given to the bill. The Senate was unanimous in support of the bill, and while there was some opposition in the House, the bill had so many strong supporters it was passed by a large majority. Those who most conspicuously advocated this measure were Speaker Seabury, Messrs. Kyle, Glen, Blount, Brelsford, Onion, Robertson, Hudspeth, Judge Terrell and others. [Sam Ealy Johnson, father of President Lyndon B. Johnson, was another supporter of the bill.] Mrs. Looscan and Miss De Zavala were present at the final passage of the bill. Mrs. Stone and Miss Driscoll, having been assured of its safety, left Austin after having spent a week there. The committee did good work, and were [sic] constantly advised by Judge Clarence Martin, whose wise counsel was of great value.

Adina De Zavala

Adina De Zavala in 1924. (SC95.316det)

In another address to the Daughters assembled in LaGrange, Cornelia Branch Stone asserted that the legislation would “require renewed activity on our part to meet [the] demand” placed on them. This, indeed, has proven to be the case in the 105 years since the state granted custodianship of the Alamo to the Daughters of the Republic of Texas.

Click here for a full citation of the documents and images included in this entry.

For further reading, DRT Library:

The general collections of the DRT Library contain books, annual meeting proceedings, vertical files, photographs, and other materials that document the history of the DRT and its custodianship of the Alamo. Additionally, the library also has several archival collections of personal papers and scrapbooks by, to, and about women who held leadership positions in the organization. Additional information about these materials can be found by searching the library’s online catalog. A few resources that describe the context of the DRT’s early preservation efforts and custodianship are listed below.

Preservation Pioneers: The Daughters of the Republic of Texas compiled by Laura T. Beavers

90 Years of the Daughters: History of the Daughters of the Republic of Texas by the Daughters of the Republic of Texas

Saving San Antonio: The Precarious Preservation of a Heritage by Lewis F. Fisher

A Line in the Sand: The Alamo in Blood and Memory by Randy Roberts and James S. Olson

100 Years of Custodianship by Madge Thornall Roberts

“Alamo History Chronology,” a timeline compiled by the staff of the DRT Library

For further reading, other institutions:

Several other Texas repositories contain archival collections of personal papers by, to, and about early leaders of the Daughters of the Republic of Texas. Many of these collection, such as the Adina De Zavala papers at the University of Texas at Austin, can be found by searching Texas Archival Resources Online (TARO). Others, such as the Adele Briscoe Looscan papers at the Albert and Ethel Herzstein Library and the Adina De Zavala papers at the University of the Incarnate Word, can be found through Internet search engines.

DRT Library Receives Donation of Beckmann Family Papers

Archivist Caitlin Donnelly with donors David and Myrna Langford.

Archivist Caitlin Donnelly with donors David and Myrna Langford.

On December 31, 2009, Library Director Leslie Stapleton and Archivist Caitlin Donnelly were pleased to receive a collection of archival materials relating to the Beckmann family of San Antonio. The collection was donated by David and Myrna Langford of Comfort, Texas.

The sizeable collection complements several other archival collections at the DRT Library, namely

A portrait of members of the Guenther, Beckmann, Schuchard, Pape, and Wagner families in 1893.

A portrait of members of the Guenther, Beckmann, Schuchard, Pape, and Wagner families, 1893.

 

Based on an appraisal report and a preliminary assessment, it appears that the majority of items in the collection are to, from, or about Adolph Guenther Beckmann and his wife Mary Milby Giles Beckmann, Mr. Langford’s maternal grandparents. Adolph Beckmann’s grandfathers were John Conrad Beckmann and Carl Hilmar Guenther; his father was Albert Felix Beckmann. Milby Giles was the daughter of San Antonio architect Alfred Giles; her maternal grandfather was John James. The collection contains information about other members of the extended Beckmann family, particularly their Guenther relatives, as well as their friends, social acquaintances, and business associates.

A page from John C. Beckmann's business ledger.

A page from John C. Beckmann's business ledger showing blacksmith work undertaken for and payment owed by Drs. Ferdinand Herff and Adolphus Schloemann (also Schlomann or Schloman).

The collection contains a variety of materials including personal correspondence and cards, financial records, scrapbooks, art, certificates and diplomas, architectural plans, newspaper and magazine clippings, books, and genealogy charts and reports. One of the oldest and most interesting documents is a ledger book maintained by John C. Beckmann to document business he conducted at his blacksmith shop between roughly 1859 and 1866; the shop was located on the Alamo grounds where the DRT Library now stands. Additionally, the collection contains a large number of photographs that roughly date to the late 1800s and early 1900s. While some of the photographs document San Antonio’s built landscape – particularly Pioneer Flour Mills – the majority show members of the Beckmann and Guenther families. Almost all of the individuals shown in the images have been identified. One striking image shows a young Ernst Schuchard (whose mother was a Guenther). He is standing with an unidentified woman and a young girl identified as Mietze; she is believed to be his younger sister, Mary (or Marie).

Ernst and Mietze Schuchard as children.

Ernst and Mietze Schuchard as children.

The new acquisition will be made available to researchers upon the completion of processing by library staff.

Thank you, David and Myrna, for your generous donation to the DRT Library!

Click here for a full citation of the documents and images included in this entry.

November 21, 1963: President Kennedy in San Antonio

Last September, we posted an entry about John F. Kennedy’s visit to the Alamo in 1960 as part of his presidential campaign. This visit, however, was not Kennedy’s only visit to San Antonio; rather, he and his wife, Jacqueline Bouvier Kennedy, were in the Alamo City on November 21, 1963, the day before he was assassinated in Dallas.

President John F. Kennedy in San Antonio. (SCElicson.09.003)

President John F. Kennedy in San Antonio. (SCElicson.09.003)

A photographic negative in the DRT Library’s Joseph Elicson Photograph Collection, above, captures one moment of the President’s time in San Antonio. It shows him sitting in an open Lincoln convertible next to First Lady Jackie Kennedy, just as he was the following day in Dallas. The image also shows then-Governor John Connally, barely visible, in front of the First Lady and his wife, Nellie Connally, in front of the president. Significantly, in Dallas the two reversed positions, and Gov. Connally was wounded by one of the bullets that hit President Kennedy. Research by former DRT Library intern Amy Canon revealed that the the Elicson photograph was taken in front of the Beneficial Finance & Thrift Co. Consulting a 1963 city directory, Canon discovered that the company was located at 202 Broadway in San Antonio.

A map of President Kennedy's motorcade route through San Antonio, printed in the Express-News on November 20, 1963.

A map of President Kennedy's motorcade route through San Antonio, printed in the Express-News on November 20, 1963.

San Antonio was the first stop of a planned two-day, five-city tour of Texas, which was held in preparation for Kennedy’s 1964 presidential campaign. While in the city, the President spoke at the dedication of four buildings in the complex that housed the United States Air Force Aerospace Medical Division at Brooks Air Force Base. According to the Handbook of Texas and other sources, Kennedy’s speech at this event was his final official act as president. On November 20, 1963, the San Antonio Express-News reported on the festivities occurring the next day at Brooks. The ceremony was scheduled to begin at 1:45 p.m., with President Kennedy scheduled to arrive at 2:25 p.m. “An open house at the aerospace school will begin at 11 a.m.,” the newspaper article stated. “Guided tours will begin at noon, and visitors may expect to see such facilities as the high-altitude simulation chambers, space suits and the gravity-simulating centrifuge. At 1 p.m., the Air Force Band of the West, from Lackland, will begin a band concert.” Furthermore, the article described the scene of the dedication, stating that “on either side of the speaker’s platform will be the shell of an X15 [aircraft] and a model of the X20 Dynasoar spacecraft.”

[Aerial view of the Aerospace Medical Division]

An aerial photograph of the Aerospace Medical Division, circa 1970.

That He May Live: USAF Aerospace Medical Center

The front cover of a pamphlet describing activities conducted at the Aerospace Medical Center, circa 1961.

For Further Research [updated February 10, 2012]:

An audio recording and transcript of the speech given by President Kennedy at Brooks Air Force Base are available through the John F. Kennedy Presidential Library and Museum website. The website also provides contextual information about the president’s 1963 trip to Texas and his assassination in Dallas, and users can see archival footage of President Kennedy in San Antonio as part of the nineteen-minute film “The Last Two Days.”

Click here for a full citation of the documents and images included in this entry.

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